In some truly sad news for fans of horror, Tony Todd—the legend who made us all nervously avoid mirrors and squint at bees with a lot more respect—has left this mortal plane. The actor, famous for his iconic role as Candyman (yes, that guy in the mirror), along with a host of spine-tingling roles in the Final Destination franchise, passed away on Wednesday, November 6, 2024, at the age of 69.
Todd’s longtime rep, clearly feeling all the feels, shared a statement with Fox News: “Regretfully, I can confirm that my friend and client of over 30 years, Tony Todd, has passed away on Wednesday, November 6, peacefully at his home in Marina Del Rey. I am lucky to have been able to work with this amazing man, and I will miss him every single day.” You know it’s heartfelt when a Hollywood rep is at a loss for words.
While Todd’s horror resume might lead one to think he was always lurking in dark alleys with a menacing glare, he actually had quite a range! This guy popped up everywhere from Star Trek: The Next Generation (yes, he did space!) to The Young and the Restless (even soap operas need a dose of horror now and then) to 24, where he probably scared even Jack Bauer.
Tony Todd is survived by his children, Alex and Ariana, who will no doubt carry the torch of coolness on behalf of their terrifyingly talented dad.
So, to Tony Todd: you’ve given us countless reasons to double-check mirrors, side-eye bees, and remember that horror movies are just as much about heart as they are about horror. Rest in peace, and may you haunt the afterlife with as much style as you haunted Hollywood.
HBO has officially spoken up about the swirling rumors that Euphoria—yes, theEuphoria, complete with Zendaya’s smudged mascara, stormy monologues, and angsty teens—is getting axed. Apparently, people have been in an emotional spiral after waiting over two years since Season 2 for any sign of life from the series. And let’s be honest, in Euphoria time, two years is about 32 chaotic lifetimes.
But it seems the online rumor mill has officially hit crisis mode. Reports have surfaced faster than a Euphoria plot twist, claiming HBO is waving goodbye to our favorite glitter-clad show. Fans are out here, scrolling and refreshing like they’re checking the weather on vacation day, wondering if it’s all over for the Rue crew.
Not so fast, says HBO. According to The Independent, a rep for the network is here to calm the masses. They basically dropped the PR equivalent of “Calm down, it’s fine,” on November 8: “Euphoria is going into production in 2025,” the spokesperson said, probably sipping their coffee and wondering why everyone’s freaking out.
“Nothing has changed,” they added, probably with the same zen-like expression a lifeguard has during a pool noodle fight. Euphoria is safe…for now.
So, what’s the lesson here? Maybe go easy on the refresh button. And maybe—just maybe—save a little glitter for 2025.
HBO Respond To Rumors That ‘Euphoria’ Was Cancelled
Pop superstar Olivia Rodrigo has found herself in the middle of a TikTok tempest after allegedly dropping a spicy comment on none other than Donald Trump’s team’s video. In the most 2024 twist imaginable, Rodrigo’s smash hit “deja vu” popped up on a Team Trump TikTok post celebrating a supposed election victory. And that’s where things got… well, weird.
Enter: The Comment. A screenshot shared on Twitter/X allegedly shows Olivia herself dropping a salty remark on the TikTok post, saying, and I quote, “ew don’t use my sound ever again ty.” Short, sweet, and dripping with enough sass to fill a Taylor Swift breakup album.
Now, before we all start handing her a golden trophy for “Best Celebrity Clapback,” fans quickly pointed out that the screenshot might be a big, fat fake. BUT! It seems the universe, or maybe the TikTok gods, were on her side. “deja vu” mysteriously vanished from the Trump team video shortly after, like a ghost at a Halloween party when the lights come on. Cue the applause! The song is still available for everyone else to vibe to on the app, which of course begs the question—did Olivia really say it, or is this a case of next-level internet wizardry?
In the meantime, fans are singing Olivia’s praises, hailing her as an “icon” and a “queen,” and one Twitter user even called her the “Patron Saint of Politely Snarky Pop Stars.”
And let’s not forget, Olivia’s been loudly supporting Vice President Kamala Harris this election season, joining the literal celebrity army backing her up. So, whether or not she actually wrote the comment, Olivia seems to be officially the new queen of subtle social media shade, and we’re all here for it.
Olivia Rodrigo Appears To Slam Donald Trump’s Team For Using Her Song On TikTok
Sophia Bush just scrubbed in and made her grand debut on Grey’s Anatomy! And let’s just say, Dr. Cass Beckham isn’t here to play nice with sutures and small talk.
Yes, the former One Tree Hill star has traded in high school drama for surgical trauma as Dr. Cass Beckham, a cool, calm, and (we’re betting) occasionally chaotic trauma surgeon. She comes with quite the backstory: married to a cardiothoracic surgeon, David, who’s played by Wil Traval, an Aussie who looks like he bench-presses patients for fun. As if Grey Sloan didn’t have enough complicated couples, Cass and David have something special: a marriage that’s open… like, “kissing other doctors in crowded bars” kind of open.
Let’s set the scene, shall we? Cass and David are enjoying a classy night out at some fancy restaurant when—bam!—they bump into Teddy (Kim Raver) and Owen (Kevin McKidd), the undisputed king and queen of Grey Sloan’s roller-coaster love stories. Naturally, a dinner party quickly transforms into a hot mess when Owen and David get paged and peace out, leaving Teddy and Cass to sip cocktails and overshare.
As the wine flows, so does Cass’s honesty. “Hey Teddy,” she basically whispers, “David and I are in an open marriage!” Teddy’s jaw drops, but let’s be real—this is Grey’s Anatomy; nothing shocks these docs anymore. And then, Cass leans in for a kiss that could shake the whole surgical wing. Teddy shuts it down—because, surprise! Her marriage is firmly “closed for renovations.”
But Teddy’s not one to keep secrets. So, naturally, she races to spill the whole thing to Owen, who finds none of it funny. He storms out, slamming the door, probably wondering when Grey’s turned into a reality dating show. Meanwhile, we’re all left on the edge of our seats, wondering if Dr. Cass Beckham is about to break Teddy and Owen faster than you can say “Code Blue.”
Will Cass become the third wheel to end all third wheels? Buckle up, Grey’s fans. This is going to be one wild surgical rotation!
Sophia Bush Makes Her Debut On ‘Grey’s Anatomy’ As Trouble-Stirring Dr. Cass Beckham
Prince William’s beard has gone rogue, and his 9-year-old daughter, Princess Charlotte, is not here for it.
Picture this: Back in August, the 42-year-old Prince of Wales suddenly decided to channel his inner mountain man and grew a scruffy, rugged beard. To the shock of royal-watchers everywhere, he appeared alongside Kate Middleton—who looked as calm and regal as ever—sporting a look that could best be described as “British lumberjack chic.” And if the beard stirred up the public, it really stirred up little Charlotte.
In a brand new, tea-spilling interview, William confessed that Charlotte’s first encounter with his beard led to, well, floods. “Charlotte didn’t like it,” William sighed dramatically. “First time she saw it, I got tears. Floods of tears! So, of course, I had to shave it off.”
Now, most parents might have taken the hint and buried the clippers in a closet somewhere. But not our determined prince! Just when everyone thought it was safe to get out the royal tissues, William brought back the beard—this time with an attitude of pure optimism.
“Then, I grew it back,” William declared, possibly with a mischievous grin. “I convinced her it was going to be OK.”
Who knows if Charlotte’s come around to the beard yet, or if she’s preparing a PowerPoint titled, “Why Dad Should Stop Trying to Look Like a Pirate.” But for now, William’s sticking with his scruff, and the royal household just might be preparing for Round 2 of the Great Beard Debacle of 2024. Stay tuned!
Prince William Says Princess Charlotte Cried After Seeing His Beard For The First Time
Lewis Hamilton just dropped his need for speed and went straight for philanthropy, racing toward a more just world. The seven-time Formula 1 champ showed up to his own Mission 44 “Reimagining the Future” Gala Dinner at The Design Museum in London on Wednesday (November 6) in an outfit so sleek and mysterious, even Batman would take notes—head-to-toe black, because when you’re launching big ideas, you go for big, dark, moody outfits.
Hamilton, at 39 years young, isn’t just about racing cars; he’s also racing towards social change. Mission 44, his charity brainchild, is all about revving up opportunities for young people who feel more lost than a GPS in the middle of the ocean. The mission? To fix the education system, boost STEM and motorsport careers, and basically hand young people the wheel to drive their own future. In short, he wants to give the next generation some serious turbo boosts, minus the speeding tickets.
The night’s theme, “Reimagining the Future,” wasn’t just about throwing a fancy dinner. Oh no—this event had everything from cool performances to thought-provoking discussions. Think less “Gala Dinner” and more “Power-Up Your Life Seminar.” Hosted by F1’s Ariana Bravo, the night was packed with unique experiences designed to show just how committed Mission 44 is to finding and empowering future leaders who aren’t just waiting for change but are ready to make it themselves.
Hamilton himself took to Instagram, in true influencer fashion, to shower love on the evening, his team, and pretty much anyone who dared to make the night a success. “Proud and honoured to celebrate the impact of @mission44 at the Reimagining the Future night. It’s amazing to work with such passionate young minds,” he shared, adding that his charity’s already making waves in the lives of students and that this is just the warm-up lap. Special shoutouts went to Ariana Bravo for hosting, and to artists Pip Millett, Flames Collective, and Elam HQ for cranking up the vibe with performances that surely made the audience feel like they could change the world—or at least their Wednesday night.
Now, switching gears, Lewis has just three more F1 races with Mercedes before he joins Ferrari in 2025, driving alongside Charles Leclerc. Who needs a cliffhanger when you’ve got a career switch like that? It’s basically the racing equivalent of switching from Batman to Iron Man.
So mark your calendars for the next Formula 1 showdown in Las Vegas on November 23, because Hamilton’s career is as fast-paced as his outfits are fabulous. And by the way, he was rocking Ferragamo, because if you’re going to change the world, you may as well look stunning while you do it.
Former President Jimmy Carter just got his 10th Grammy nomination! Yes, you read that right—this peanut-farming, house-building, centenarian wonder is up for another golden gramophone at the 2025 Grammy Awards. And not for a TikTok bop or a collab with Taylor Swift, but for his spoken-word album titled Last Sunday in Plains: A Centennial Celebration. Apparently, age is nothing but a number—especially when it gets you Grammy nods.
The Carter Center shared the big news on Twitter/X, probably with a virtual fist-pump and a shout of, “What an honor!” And it really is. Not only has Jimmy managed to live through 100 years of history, but he’s managed to land Grammy nominations in his retirement hobby of “storytelling like your grandpa on a Sunday afternoon.”
The album is an actual recording of President Carter’s Sunday school lessons from his hometown church in Plains, Georgia. Imagine sitting in the pews of Maranatha Baptist Church as Jimmy reads Bible stories with the kind of Southern drawl and gravitas that practically blesses your breakfast toast. And now, thanks to this nomination, we might all get to experience that old-school charm on streaming platforms.
But here’s the kicker: at 100, Carter’s breaking records as the oldest Grammy nominee ever. The title of oldest Grammy winner still belongs to the late blues pianist Pinetop Perkins, who won at the tender age of 97 back in 2011. But let’s be honest—Jimmy’s got this, right? After all, he’s already taken home the Grammy three times! He won Best Spoken Word Album in 2006, 2015, and 2018. So if anyone’s going to be the music industry’s newest centenarian champ, it’s the man with a resume that makes you wonder, “Does this guy ever nap?”
And in case you’re still wrapping your head around this whole thing, remember: the Grammys have given us wild surprises before, but few quite like the man with a lifetime of stories, a bucketful of wisdom, and a shiny chance at Grammy history. Go on, Jimmy—show ‘em that even at 100, you’re still got the hottest mic in town.
What an honor! President Carter has been nominated for his 10th Grammy Award. His spoken-word album 'Last Sundays in Plains: A Centennial Celebration' includes recordings from his Sunday school lessons at Maranatha Baptist Church in Plains, Ga. https://t.co/JwMLkkFGLN
Nicole Scherzinger, known for belting out ballads and gracing the stage in Sunset Boulevard, recently found herself in hot water over what might be the world’s most controversial comment about…a hat. Yes, a hat! And not just any hat—Russell Brand’s “Make Jesus First Again” cap, which the outspoken Trump supporter proudly flaunted on Instagram.
Nicole, 46, seemed innocently enchanted by the headwear and chimed in with a bubbly, “Where do I get this hat!!!? 🙏🏽❤️” She was soon treated to a front-row seat at the social media backlash circus, as fans interpreted the comment as a political endorsement rather than simple fashion appreciation.
Realizing the mayhem her five-word comment had unleashed, Nicole took a deep breath, dusted off her “Oops!” folder, and issued a public apology.
Nicole’s Apology: The Sequel
“I deeply apologize for the hurt caused by my recent engagement with some social media posts,” Nicole’s statement began, clearly channeling her inner PR pro. “When I commented on these posts, I made the mistake of not realizing they could be easily interpreted as politically charged…my bad!”
She continued, reassuring fans that the assumptions flying around “do not reflect who I am, what I stand for, or who I voted for.” (Spoiler alert: she’s not making bumper stickers for any candidate anytime soon.)
Nicole, Jesus, and the Redemption Tour
Getting straight to the heart of the matter, Nicole explained, “Like so many people facing tough times, I turn to my faith. When I saw that hat, I thought it was about promoting love and faith—making Jesus first, people!” She went on to share that to her, Christ represents “peace, compassion, hope, and above all, love,” especially for those feeling unloved in today’s climate.
She wrapped it up with a heartfelt (if slightly meme-worthy) conclusion: “I come from a place of love, and I will always support values that bring us closer together. It’s so important we come together with compassion, and love one another more now than ever. Nicole ❤️”
The Great Vanishing Act
Meanwhile, internet sleuths noticed her comment disappeared from the post about 24 hours after it set Instagram ablaze. No word on whether Nicole hit delete herself, or if it was Instagram’s digital form of damage control.
Either way, one thing’s for sure: hats off to Nicole for tackling this social media misfire with a dash of grace, a sprinkle of faith, and a hefty dose of hindsight.
Nicole Scherzinger Apologizes For Supporting Russell Brand’s ‘Make Jesus Great Again’ Hat
So, here’s the deal: Jacob Elordi and Richard Gere are both playing the same guy, Leonard Fife. And before you start wondering if Leonard’s got some kind of magical aging situation going on, don’t worry—it’s all on purpose. Oh, Canada! (yes, that’s the actual title) is a hot new movie where Elordi plays young Leonard, full of passion and angst, while Gere takes over the “I’m tired, and I have strong opinions about oatmeal” phase.
Back to the Plot (A.K.A. Story Time with Grandpa Leonard)
This film, based on the novel by Russell Banks, brings Richard Gere back together with director Paul Schrader for the first time since they revolutionized 80s cinema with American Gigolo. But don’t expect sparkly suits and suggestive stares here; this time, Gere’s playing a cranky old filmmaker with some spicy stories to tell before he kicks the bucket.
Here’s the lowdown: Leonard Fife (played by Gere with the gravelly voice and stoic stare we’ve come to know and love) is sick, but he’s got a fire in him that says, “I’m not done yet!” He’s ready to spill his life story, unfiltered, to Malcolm (played by Michael Imperioli)—who is not only his former student but also possibly the only person willing to listen to him go on for hours. Leonard’s got all kinds of juicy tidbits from his past, from dodging the draft in the Vietnam War to, well, let’s just say there are a lot of exes in his history. And don’t even get him started on the ’60s!
But wait, there’s more! Leonard insists his wife, Emma (Uma Thurman, here to bring some serious “I’ve put up with this man’s nonsense for decades” energy), sits in on the whole thing. She’s Leonard’s creative partner, and frankly, she probably knows more about him than he does himself. As Leonard dishes out the highlights (and the lowlights) of his career and life, Emma is there to silently judge, nodding with the kind of knowledge only a partner of several decades can muster.
So, What’s the Big Message Here?
As Leonard recounts his glory days, he’s got to wrestle with a few of his own “oops” moments. From draft-dodging decisions to relationship missteps, it’s all coming out now, and the guy’s got to face the truth: maybe he wasn’t exactly a saint, even if he was good with a camera. It’s a classic case of “Peeling Back the Layers of the Complex Man,” Hollywood style. Oh, and it’s all set to a Canadian backdrop, hence the title.
When Can You Catch This Ode to Leonard?
The movie’s dropping in select theaters in New York on December 6 and then making its way to Los Angeles on December 13. So mark your calendar if you’re into watching Gere, Elordi, and Thurman go full “Introspective Artist Drama” mode. This might be your only chance to see two heartthrobs embody the same complicated, Canada-loving dude, one generational crisis at a time!
The 2025 Grammy nominations are officially in, and they’re juicier than ever. Yep, the Recording Academy decided to break the internet by announcing this year’s contenders on a YouTube livestream, because nothing says “prestigious music award show” like trying to find the link five minutes before it starts.
Ladies, gentlemen, and music lovers of all shapes and Spotify subscriptions—prepare for a fierce face-off among pop’s reigning royalty. Women totally dominated this year, with the Grammy veterans Beyoncé and Taylor Swift leading the charge. Beyoncé, in a flex that would make even her own legendary alter ego Sasha Fierce proud, scooped up an astounding 11 nominations. It’s almost like they considered just renaming the Grammys to “The Bey’s” at this point.
But Beyoncé isn’t the only queen in this year’s Grammy game. We’ve got Taylor Swift with her magic touch, Charli XCX bringing the edge, Sabrina Carpenter proving she’s more than just a Disney alum, and Chappell Roan showing up with enough charisma to fill Crypto.com Arena twice over. February 2, 2025, is the date, and yes, it’ll all go down at the infamous Crypto.com Arena in Los Angeles—the place where Grammys and crypto both aspire to stay relevant.
So buckle up, grab the popcorn, and check out the full list of nominations below—because the real drama is about to begin! 🎤
Record of the Year
“Now and Then,” The Beatles
“TEXAS HOLD ‘EM,” Beyoncé
“Espresso,” Sabrina Carpenter
“360,” Charli xcx
“BIRDS OF A FEATHER,” Billie Eilish
“Not Like Us,” Kendrick Lamar
“Good Luck, Babe!,” Chappell Roan
“Fortnight,” Taylor Swift feat. Post Malone
Album of the Year
New Blue Sun, André 3000
COWBOY CARTER, Beyoncé
Short n’ Sweet, Sabrina Carpenter
BRAT, Charli xcx
Djesse Vol. 4, Jacob Collier
HIT ME HARD AND SOFT, Billie Eilish
The Rise and Fall of a Midwest Princess, Chappell Roan
THE TORTURED POETS DEPARTMENT, Taylor Swift
Song of the Year
“A Bar Song (Tipsy),” Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
“BIRDS OF A FEATHER,” Billie Eilish O’Connell & FINNEAS, songwriters (Billie Eilish)
“Die With a Smile,” Dernst Emile II, James Fauntleroy, Lady Gaga, Bruno Mars & Andrew Watt, songwriters (Lady Gaga & Bruno Mars)
“Fortnight,” Jack Antonoff, Austin Post & Taylor Swift, songwriters (Taylor Swift feat. Post Malone)
“Good Luck, Babe!,” Kayleigh Rose Amstutz, Daniel Nigro & Justin Tranter, songwriters (Chappell Roan)
“Not Like Us,” Kendrick Lamar, songwriter (Kendrick Lamar)
“Please Please Please,” Amy Allen, Jack Antonoff & Sabrina Carpenter, songwriters (Sabrina Carpenter)
“TEXAS HOLD ‘EM,” Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)
Best New Artist
Benson Boone
Sabrina Carpenter
Doechii
Khruangbin
RAYE
Chappell Roan
Shaboozey
Teddy Swims
Producer of the Year, Non-Classical
Alissia
Dernst “D’Mile” Emile II
Ian Fitchuk
Mustard
Daniel Nigro
Songwriter of the Year, Non-Classical
Raye
Jessie Jo Dillon
Amy Allen
Jessi Alexander
Edgar Barrera
Best Pop Solo Performance
“BODYGUARD,” Beyoncé
“Espresso,” Sabrina Carpenter
“Apple,” Charli xcx
“BIRDS OF A FEATHER,” Billie Eilish
“Good Luck, Babe!,” Chappell Roan
Best Pop Duo/Group Performance
“us.,” Gracie Abrams feat. Taylor Swift
“LEVII’S JEANS,” Beyoncé feat. Post Malone
“Guess,” Charli xcx & Billie Eilish
“the boy is mine,” Ariana Grande, Brandy & Monica
“Die With a Smile,” Lady Gaga & Bruno Mars
Best Pop Vocal Album
Short n’ Sweet, Sabrina Carpenter
HIT ME HARD AND SOFT, Billie Eilish
eternal sunshine, Ariana Grande
The Rise and Fall of a Midwest Princess, Chappell Roan
THE TORTURED POETS DEPARTMENT, Taylor Swift
Best Dance/Electronic Recording
“She’s Gone, Dance On,” Disclosure
“Loved,” Four Tet
“leavemealone,” Fred Again.. & Baby Keem
“Neverender,” Justice & Tame Impala
“Witchy,” KAYTRANADA feat. Childish Gambino
Best Dance Pop Recording
“Make You Mine,” Madison Beer
“Von Dutch,” Charli xcx
“L’AMOUR DE MA VIE [OVER NOW EXTENDED EDIT],” Billie Eilish
“yes, and?,” Ariana Grande
“Got Me Started,” Troye Sivan
Best Dance/Electronic Album
BRAT, Charli xcx
Three, Four Tet
Hyperdrama, Justice
Timeless, KAYTRANADA
Telos, Zedd
Best Remixed Recording
“Alter Ego – KAYTRANADA Remix,” KAYTRANADA, remixer (Doechii feat. JT)
“A Bar Song (Tipsy) [Remix],” David Guetta, remixer (Shaboozey & David Guetta)
“Espresso (Mark Ronson x FNZ Working Late Remix),” FNZ & Mark Ronson, remixers (Sabrina Carpenter)
“Jah Sees Them – Amapiano Remix,” Alexx Antaeus, Footsteps & MrMyish, remixers (Julian Marley & Antaeus)
“Von Dutch,” A.G. Cook, remixer (Charli xcx & A.G. Cook Featuring Addison Rae)
Best Rock Performance
“Now and Then,” The Beatles
“Beautiful People (Stay High),” The Black Keys
“The American Dream Is Killing Me,” Green Day
“Gift Horse,” IDLES
“Dark Matter,” Pearl Jam
“Broken Man,” St. Vincent
Best Metal Performance
“Mea Culpa (Ah! Ça ira!),” Gojira, Marina Viotti & Victor Le Masne
“Crown of Horns,” Judas Priest
“Suffocate,” Knocked Loose feat. Poppy
“Screaming Suicide,” Metallica
“Cellar Door,” Spiritbox
Best Rock Song
“Beautiful People (Stay High),” Dan Auerbach, Patrick Carney, Beck Hansen & Daniel Nakamura, songwriters (The Black Keys)
“Broken Man,” Annie Clark, songwriter (St. Vincent)
“Dark Matter,” Jeff Ament, Matt Cameron, Stone Gossard, Mike McCready, Eddie Vedder & Andrew Watt, songwriters (Pearl Jam)
“Dilemma,” Billie Joe Armstrong, Mike Dirnt & Tré Cool, songwriters (Green Day)
“Gift Horse,” Jon Beavis, Mark Bowen, Adam Devonshire, Lee Kiernan & Joe Talbot, songwriters (IDLES)
Best Rock Album
Happiness Bastards, The Black Crowes
Romance, Fontaines D.C.
Saviors, Green Day
TANGK, IDLES
Dark Matter, Pearl Jam
Hackney Diamonds, The Rolling Stones
No Name, Jack White
Best Alternative Music Performance
“Neon Pill,” Cage the Elephant
“Song of the Lake,” Nick Cave & The Bad Seeds
“Starburster,” Fontaines D.C.
“BYE BYE,” Kim Gordon
“Flea,” St. Vincent
Best Alternative Music Album
Wild God, Nick Cave & The Bad Seeds
Charm, Clairo
The Collective, Kim Gordon
What Now, Brittany Howard
All Born Screaming, St. Vincent
Best R&B Performance
“Guidance,” Jhené Aiko
“Residuals,” Chris Brown
“Here We Go (Uh Oh),” Coco Jones
“Made for Me (Live on BET),” Muni Long
“Saturn,” SZA
Best Traditional R&B Performance
“Wet,” Marsha Ambrosius
“Can I Have This Groove,” Kenyon Dixon
“No Lie,” Lalah Hathaway feat. Michael McDonald
“Make Me Forget,” Muni Long
“That’s You,” Lucky Daye
Best R&B Song
“After Hours,” Diovanna Frazier, Alex Goldblatt, Kehlani Parrish, Khris Riddick-Tynes & Daniel Upchurch, songwriters (Kehlani)
“Burning,” Ronald Banful & Temilade Openiyi, songwriters (Tems)
“Here We Go (Uh Oh),” Sara Diamond, Sydney Floyd, Marisela Jackson, Courtney Jones, Carl McCormick & Kelvin Wooten, songwriters (Coco Jones)
“Ruined Me,” Jeff Gitelman, Priscilla Renea & Kevin Theodore, songwriters (Muni Long)
“Saturn,” Rob Bisel, Carter Lang, Solána Rowe, Jared Solomon & Scott Zhang, songwriters (SZA)
Best Progressive R&B Album
So Glad to Know You, Avery*Sunshine
En Route, Durand Bernarr
Bando Stone and The New World, Childish Gambino
Crash, Kehlani
Why Lawd?, NxWorries (Anderson .Paak & Knxwledge)
Best R&B Album
11:11 (Deluxe), Chris Brown
Vantablack, Lalah Hathaway
Revenge, Muni Long
Algorithm, Lucky Daye
Coming Home, Usher
Best Rap Performance
“Enough (Miami),” Cardi B
“When the Sun Shines Again,” Common & Pete Rock feat. Posdnuos
“NISSAN ALTIMA,” Doechii
“Houdini,” Eminem
“Like That,” Future & Metro Boomin feat. Kendrick Lamar
“Yeah Glo!,” GloRilla
“Not Like Us,” Kendrick Lamar
Best Melodic Rap Performance
“KEHLANI,” Jordan Adetunji feat. Kehlani
“SPAGHETTII,” Beyoncé feat. Linda Martell & Shaboozey
“We Still Don’t Trust You,” Future & Metro Boomin feat. The Weeknd
“Big Mama,” Latto
“3:AM,” Rapsody feat. Erykah Badu
Best Rap Song
“Asteroids,” Marlanna Evans, songwriter (Rapsody feat. Hit-Boy)
“Carnival,” Jordan Carter, Raul Cubina, Grant Dickinson, Samuel Lindley, Nasir Pemberton, Dimitri Roger, Ty Dolla $ign, Kanye West & Mark Carl Stolinski Williams, songwriters (¥$ (Kanye West & Ty Dolla $Ign) feat. Rich the Kid & Playboi Carti)
“Like That,” Kendrick Lamar Duckworth, Kobe “BbyKobe” Hood, Leland Wayne & Nayvadius Wilburn, songwriters (Future & Metro Boomin feat. Kendrick Lamar)
“Not Like Us,” Kendrick Lamar, songwriter (Kendrick Lamar)
“Yeah Glo!,” Ronnie Jackson, Jaucquez Lowe, Timothy McKibbins, Kevin Andre Price, Julius Rivera III & Gloria Woods, songwriters (GloRilla)
Best Rap Album
Might Delete Later, J. Cole
The Auditorium, Vol. 1, Common & Pete Rock
Alligator Bites Never Heal, Doechii
The Death of Slim Shady (Coup De Grâce), Eminem
We Don’t Trust You, Future & Metro Boomin
Best Spoken Word Poetry Album
CIVIL WRITES: The South Got Something to Say, Queen Sheba
cOncrete & wHiskey Act II Part 1: A Bourbon 30 Series, Omari Hardwick
Good M.U.S.I.C. Universe Sonic Sinema: Episode 1 In The Beginning Was The Word, Malik Yusef
The Heart, The Mind, The Soul, Tank and the Bangas
The Seven Number Ones, Mad Skillz
Best Jazz Performance
“Walk With Me, Lord (SOUND | SPIRIT),” The Baylor Project
“Phoenix Reimagined (Live),” Lakecia Benjamin feat. Randy Brecker, Jeff “Tain” Watts & John Scofield
“Juno,” Chick Corea & Béla Fleck
“Twinkle Twinkle Little Me,” Samara Joy feat. Sullivan Fortner
“Little Fears,: Dan Pugach Big Band feat. Nicole Zuraitis & Troy Roberts
Best Jazz Vocal Album
Journey in Black, Christie Dashiell
Wildflowers Vol. 1, Kurt Elling & Sullivan Fortner
A Joyful Holiday, Samara Joy
Milton + Esperanza, Milton Nascimento & esperanza spalding
My Ideal, Catherine Russell & Sean Mason
Best Jazz Instrumental Album
Owl Song, Ambrose Akinmusire feat. Bill Frisell & Herlin Riley
Beyond This Place, Kenny Barron feat. Kiyoshi Kitagawa, Johnathan Blake, Immanuel Wilkins & Steve Nelson
Phoenix Reimagined (Live), Lakecia Benjamin
Remembrance, Chick Corea & Béla Fleck
Solo Game, Sullivan Fortner
Best Large Jazz Ensemble Album
Returning to Forever, John Beasley & Frankfurt Radio Big Band
And So It Goes, The Clayton-Hamilton Jazz Orchestra
Walk a Mile in My Shoe, Orrin Evans & The Captain Black Big Band
Bianca Reimagined: Music for Paws and Persistence, Dan Pugach Big Band
Golden City, Miguel Zenón
Best Latin Jazz Album
Spain Forever Again, Michel Camilo & Tomatito
Cubop Lives!, Zaccai Curtis
COLLAB, Hamilton de Holanda & Gonzalo Rubalcaba
Time and Again, Eliane Elias
El Trio: Live in Italy, Horacio ‘El Negro’ Hernández, John Beasley & José Gola
Cuba and Beyond, Chucho Valdés & Royal Quartet
As I Travel, Donald Vega feat. Lewis Nash, John Patitucci & Luisito Quintero
Best Alternative Jazz Album
Night Reign, Arooj Aftab
New Blue Sun, André 3000
Code Derivation, Robert Glasper
Foreverland, Keyon Harrold
No More Water: The Gospel of James Baldwin, Meshell Ndegeocello
Best Traditional Pop Vocal Album
À Fleur De Peau, Cyrille Aimée
Visions, Norah Jones
Good Together, Lake Street Dive
Impossible Dream, Aaron Lazar
Christmas Wish, Gregory Porter
Best Contemporary Instrumental Album
Plot Armor, Taylor Eigsti
Rhapsody in Blue, Béla Fleck
Orchestras (Live), Bill Frisell feat. Alexander Hanson, Brussels Philharmonic, Rudy Royston & Thomas Morgan
Mark, Mark Guiliana
Speak to Me, Julian Lage
Best Musical Theater Album
Hell’s Kitchen
Merrily We Roll Along
The Notebook
The Outsiders
The Wiz
Best Country Solo Performance
“16 CARRIAGES,” Beyoncé
“I Am Not Okay,” Jelly Roll
“The Architect,” Kacey Musgraves
“A Bar Song (Tipsy),” Shaboozey
“It Takes a Woman,” Chris Stapleton
Best Country Duo/Group Performance
“Cowboys Cry Too,” Kelsea Ballerini with Noah Kahan
“II MOST WANTED,” Beyoncé feat. Miley Cyrus
“Break Mine,” Brothers Osborne
“Bigger Houses,” Dan + Shay
“I Had Some Help,” Post Malone feat. Morgan Wallen
Best Country Song
“The Architect,” Shane McAnally, Kacey Musgraves & Josh Osborne, songwriters (Kacey Musgraves)
“A Bar Song (Tipsy),” Sean Cook, Jerrel Jones, Joe Kent, Chibueze Collins Obinna, Nevin Sastry & Mark Williams, songwriters (Shaboozey)
“I Am Not Okay,” Casey Brown, Jason DeFord, Ashley Gorley & Taylor Phillips, songwriters (Jelly Roll)
“I Had Some Help,” Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Smith, Ryan Vojtesak, Morgan Wallen & Chandler Paul Walters, songwriters (Post Malone feat. Morgan Wallen)
“TEXAS HOLD ‘EM,” Brian Bates, Beyoncé, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro & Raphael Saadiq, songwriters (Beyoncé)
Best Country Album
COWBOY CARTER, Beyoncé
F-1 Trillion, Post Malone
Deeper Well, Kacey Musgraves
Higher, Chris Stapleton
Whirlwind, Lainey Wilson
Best American Roots Performance
“Blame It on Eve,” Shemekia Copeland
“Nothing in Rambling,” The Fabulous Thunderbirds feat. Bonnie Raitt, Keb’ Mo’, Taj Mahal & Mick Fleetwood
“Lighthouse,” Sierra Ferrell
“The Ballad of Sally Anne,” Rhiannon Giddens
Best Americana Performance
“YA YA,” Beyoncé
“Subtitles,” Madison Cunningham
“Don’t Do Me Good,” Madi Diaz feat. Kacey Musgraves
“American Dreaming,” Sierra Ferrell
“Runaway Train,” Sarah Jarosz
“Empty Trainload of Sky,” Gillian Welch & David Rawlings
Best American Roots Song
“Ahead of the Game,” Mark Knopfler, songwriter (Mark Knopfler)
“All in Good Time,” Sam Beam, songwriter (Iron & Wine feat. Fiona Apple)
“All My Friends,” Aoife O’Donovan, songwriter (Aoife O’Donovan)
“American Dreaming,” Sierra Ferrell & Melody Walker, songwriters (Sierra Ferrell)
“Blame It on Eve,” John Hahn & Will Kimbrough, songwriters (Shemekia Copeland)
Best Americana Album
The Other Side, T Bone Burnett
$10 Cowboy, Charley Crockett
Trail of Flowers, Sierra Ferrell
Polaroid Lovers, Sarah Jarosz
No One Gets Out Alive, Maggie Rose
Tigers Blood, Waxahatchee
Best Bluegrass Album
I Built a World, Bronwyn Keith-Hynes
Songs of Love and Life, The Del McCoury Band
No Fear, Sister Sadie
Live Vol. 1, Billy Strings
Earl Jam, Tony Trischka
Dan Tyminski: Live From The Ryman, Dan Tyminski
Best Traditional Blues Album
Hill Country Love, Cedric Burnside
Struck Down, The Fabulous Thunderbirds
One Guitar Woman, Sue Foley
Sam’s Place, Little Feat
Swingin’ Live at the Church in Tulsa, The Taj Mahal Sextet
Best Contemporary Blues Album
Blues Deluxe Vol. 2, Joe Bonamassa
Blame It on Eve, Shemekia Copeland
Friendlytown, Steve Cropper & The Midnight Hour
Mileage, Ruthie Foster
The Fury, Antonio Vergara
Best Folk Album
American Patchwork Quartet, American Patchwork Quartet
Weird Faith, Madi Diaz
Bright Future, Adrianne Lenker
All My Friends, Aoife O’Donovan
Woodland, Gillian Welch & David Rawlings
Best Regional Roots Music Album
25 Back to My Roots, Sean Ardoin And Kreole Rock And Soul
Live at the 2024 New Orleans Jazz & Heritage Festival, Big Chief Monk Boudreaux & The Golden Eagles feat. J’Wan Boudreaux
Live at the 2024 New Orleans Jazz & Heritage Festival, New Breed Brass Band feat. Trombone Shorty
Kuini, Kalani Pe’a
Stories From the Battlefield, The Rumble feat. Chief Joseph Boudreaux Jr.
Best Gospel Performance/Song
“Church Doors,” Yolanda Adams; Donald Lawrence & Sir William James Baptist, songwriters
“Yesterday,” Melvin Crispell III
“Hold On (Live),” Ricky Dillard
“Holy Hands,” DOE; Jesse Paul Barrera, Jeffrey Castro Bernat, Dominique Jones, Timothy Ferguson, Kelby Shavon Johnson, Jr., Jonathan McReynolds, Rickey Slikk Muzik Offord & Juan Winans, songwriters
“One Hallelujah,” Tasha Cobbs Leonard, Erica Campbell & Israel Houghton Featuring Jonathan McReynolds & Jekalyn Carr; G. Morris Coleman, Israel Houghton, Kenneth Leonard, Jr., Tasha Cobbs Leonard & Naomi Raine, songwriters
Best Contemporary Christian Music Performance/Song
“Holy Forever (Live),” Bethel Music, Jenn Johnson Featuring CeCe Winans
Praise,” Elevation Worship feat. Brandon Lake, Chris Brown & Chandler Moore; Pat Barrett, Chris Brown, Cody Carnes, Steven Furtick, Brandon Lake & Chandler Moore, songwriters
“Firm Foundation (He Won’t),” Honor & Glory feat. Disciple
“In the Name of Jesus,” JWLKRS Worship & Maverick City Music feat. Chandler Moore; Austin Armstrong, Ran Jackson, Chandler Moore, Sajan Nauriyal, Ella Schnacky, Noah Schnacky & Ilya Toshinskiy, songwriters
“In the Room,” Maverick City Music, Naomi Raine & Chandler Moore feat. Tasha Cobbs Leonard; G. Morris Coleman, Tasha Cobbs Leonard & Naomi Raine, songwriters
“That’s My King,” CeCe Winans; Taylor Agan, Kellie Gamble, Lloyd Nicks & Jess Russ, songwriters
Best Gospel Album
Covered Vol. 1, Melvin Crispell III
Choirmaster II (Live), Ricky Dillard
Father’s Day, Kirk Franklin
Still Karen, Karen Clark Sheard
More Than This, CeCe Winans
Best Contemporary Christian Music Album
Heart of a Human, DOE
When Wind Meets Fire, Elevation Worship
Child of God, Forrest Frank
Coat of Many Colors, Brandon Lake
The Maverick Way Complete, Maverick City Music, Naomi Raine & Chandler Moore
Best Roots Gospel Album
The Gospel Sessions, Vol 2, Authentic Unlimited
The Gospel According to Mark, Mark D. Conklin
Rhapsody, The Harlem Gospel Travelers
Church, Cory Henry
Loving You, The Nelons
Best Latin Pop Album
Funk Generation, Anitta
El Viaje, Luis Fonsi
GARCÍA, Kany García
Las Mujeres Ya No Lloran, Shakira
ORQUÍDEAS, Kali Uchis
Best Música Urbana Album
nadie sabe lo que va a pasar mañana, Bad Bunny
Rayo, J Balvin
FERXXOCALIPSIS, Feid
LAS LETRAS YA NO IMPORTAN, Residente
att., Young Miko
Best Latin Rock or Alternative Album
Compita del Destino, El David Aguilar
Pa’ Tu Cuerpa, Cimafunk
Autopoiética, Mon Laferte
GRASA, NATHY PELUSO
¿Quién trae las cornetas?, Rawayana
Best Música Mexicana Album (Including Tejano)
Diamantes, Chiquis
Boca Chueca, Vol. 1, Carín León
ÉXODO, Peso Pluma
De Lejitos, Jessi Uribe
Best Tropical Latin Album
MUEVENSE, Marc Anthony
Bailar, Sheila E.
Radio Güira, Juan Luis Guerra 4.40
Alma, Corazón y Salsa (Live at Gran Teatro Nacional), Tony Succar, Mimy Succar
Vacilón Santiaguero, Kiki Valera
Best Global Music Performance
“Raat Ki Rani,” Arooj Aftab
“A Rock Somewhere,” Jacob Collier feat. Anoushka Shankar & Varijashree Venugopal
“Rise,” Rocky Dawuni
“Bemba Colorá,” Sheila E. feat. Gloria Estefan & Mimy Succar
“Sunlight to My Soul,” Angélique Kidjo Featuring Soweto Gospel Choir
“Kashira,” Masa Takumi feat. Ron Korb, Noshir Mody & Dale Edward Chung
Best African Music Performance
“Tomorrow,” Yemi Alade
“MMS,” Asake & Wizkid
“Sensational,” Chris Brown feat. Davido & Lojay
“Higher,” Burna Boy
“Love Me JeJe,” Tems
Best Global Music Album
Alkebulan II, Matt B feat. Royal Philharmonic Orchestra
Paisajes, Ciro Hurtado
Heis, Rema
Historias De Un Flamenco, Antonio Rey
Born in the Wild, Tems
Best Reggae Album
Take It Easy, Collie Buddz
Party With Me, Vybz Kartel
Never Gets Late Here, Shenseea
Bob Marley: One Love – Music Inspired By The Film (Deluxe), Various Artists
Evolution, The Wailers
Best New Age, Ambient, or Chant Album
Break of Dawn, Ricky Kej
Triveni, Wouter Kellerman, Éru Matsumoto & Chandrika Tandon
Visions of Sounds De Luxe, Chris Redding
Opus, Ryuichi Sakamoto
Chapter II: How Dark It Is Before Dawn, Anoushka Shankar
Warriors of Light, Radhika Vekaria
Best Children’s Music Album
Brillo, Brillo!, Lucky Diaz and The Family Jam Band
Creciendo, Lucy Kalantari & The Jazz Cats
My Favorite Dream, John Legend
Solid Rock Revival, Rock for Children
World Wide Playdate, Divinity Roxx and Divi Roxx Kids
Best Comedy Album
Armageddon, Ricky Gervais
The Dreamer, Dave Chappelle
The Prisoner, Jim Gaffigan
Someday You’ll Die, Nikki Glaser
Where Was I, Trevor Noah
Best Audio Book, Narration, and Storytelling Recording
All You Need Is Love: The Beatles In Their Own Words (Various Artists), Guy Oldfield, producer
…And Your Ass Will Follow, George Clinton
Behind the Seams: My Life in Rhinestones, Dolly Parton
Last Sundays in Plains: A Centennial Celebration, Jimmy Carter
My Name Is Barbra, Barbra Streisand
Best Compilation Soundtrack for Visual Media
The Color Purple (Various Artists)
Deadpool & Wolverine (Various Artists)
Maestro: Music by Leonard Bernstein, London Symphony Orchestra, Yannick Nézet-Séguin, Bradley Cooper
Saltburn (Various Artists)
Twisters: The Album (Various Artists)
Best Score Soundtrack for Visual Media (Includes Film and Television)
American Fiction, Laura Karpman, composer
Challengers, Trent Reznor & Atticus Ross, composers
The Color Purple, Kris Bowers, composer
Dune: Part Two, Hans Zimmer, composer
Shōgun, Nick Chuba, Atticus Ross & Leopold Ross, composers
Best Score Soundtrack for Video Games and Other Interactive Media
Avatar: Frontiers of Pandora, Pinar Toprak, composer
God of War Ragnarök: Valhalla, Bear McCreary, composer
Marvel’s Spider-Man 2, John Paesano, composer
Star Wars Outlaws, Wilbert Roget, II, composer
Wizardry: Proving Grounds of the Mad Overlord, Winifred Phillips, composer
Best Song Written for Visual Media
“Ain’t No Love in Oklahoma” (From Twisters: The Album) Jessi Alexander, Luke Combs & Jonathan Singleton, songwriters (Luke Combs)
“Better Place” (From TROLLS Band Together)Amy Allen, Shellback & Justin Timberlake, songwriters (*NSYNC & Justin Timberlake)
“Can’t Catch Me Now” (From The Hunger Games: The Ballad of Songbirds & Snakes) Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
“It Never Went Away” (From American Symphony) Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
“Love Will Survive” (From The Tattooist of Auschwitz) Walter Afanasieff, Charlie Midnight, Kara Talve & Hans Zimmer, songwriters (Barbra Streisand)
Best Music Video
“Tailor Swif,” A$AP Rocky Vania Heymann & Gal Muggia, video directors
“360,” Charli xcx Aidan Zamiri, video director; Jami Arceo & Evan Thicke, video producers
“Houdini,” Eminem Rich Lee, video director; Kathy Angstadt, Lisa Arianna & Justin Diener, video producers
“Not Like Us,” Kendrick Lamar Dave Free & Kendrick Lamar, video directors; Jack Begert, Sam Canter & Jamie Rabineau, video producers
“Fortnight,” Taylor Swift feat. Post Malone Taylor Swift, video director; Jil Hardin, video producer
Best Music Film
American Symphony, Jon Batiste, Matthew Heineman, video director; Lauren Domino, Matthew Heineman & Joedan Okun, video producers
June (June Carter Cash) Kristen Vaurio, video director; Josh Matas, Sarah Olson, Jason Owen, Mary Robertson & Kristen Vaurio, video producers
Kings From Queens, Run-DMC, Kirk Fraser, video director; William H. Masterson III, video producer
Stevie Van Zandt: Disciple, Steven Van Zandt, Bill Teck, video director; Robert Cotto, David Fisher & Bill Teck, video producers
The Greatest Night in Pop (Various Artists), Bao Nguyen, video director; Bruce Eskowitz, George Hencken, Larry Klein, Julia Nottingham, Lionel Richie & Harriet Sternberg, video producers
Best Recording Package
The Avett Brothers, Jonny Black & Giorgia Sage, art directors (The Avett Brothers)
Baker Hotel, Sarah Dodds & Shauna Dodds, art directors (William Clark Green)
BRAT, Brent David Freaney & Imogene Strauss, art directors (Charli xcx)
F-1 Trillion, Archie Lee Coates IV, Jeffrey Franklin, Blossom Liu, Kylie McMahon & Ana Cecilia Thompson Motta, art directors (Post Malone)
Hounds of Love The Baskerville Edition, Kate Bush & Albert McIntosh, art directors (Kate Bush)
Jug Band Millionaire, Andrew Wong & Julie Yeh, art directors (The Muddy Basin Ramblers)
Pregnancy, Breakdown, and Disease, Lee Pei-Tzu, art director (iWhoiWhoo)
Best Boxed or Special Limited Edition Package
Half Living Things, Patrick Galvin, art director (Alpha Wolf)
Hounds of Love The Boxes of Lost at Sea, Kate Bush & Albert McIntosh, art directors (Kate Bush)
In Utero, Doug Cunningham & Jason Noto, art directors (Nirvana)
Mind Games, Simon Hilton & Sean Ono Lennon, art directors (John Lennon)
Unsuk Chin, Takahiro Kurashima & Marek Polewski, art directors (Unsuk Chin & Berliner Philharmoniker)
We Blame Chicago, Rebeka Arce & Farbod Kokabi, art directors (90 Day Men)
Best Album Notes
After Midnight, Tim Brooks, album notes writer (Ford Dabney’s Syncopated Orchestras)
The Carnegie Hall Concert, Lauren Du Graf, album notes writer (Alice Coltrane)
Centennial, Ricky Riccardi, album notes writer (King Oliver’s Creole Jazz Band & Various Artists)
John Culshaw – The Art Of The Producer – The Early Years 1948-55, Dominic Fyfe, album notes writer (John Culshaw)
SONtrack Original De La Película “Al Son De Beno,” Josh Kun, album notes writer (Various Artists)
Best Historical Album
Centennial – Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (King Oliver’s Creole Jazz Band and Various Artists)
Diamonds and Pearls: Super Deluxe Edition – Charles F. Spicer, Jr. & Duane Tudahl, compilation producers; Brad Blackwood & Bernie Grundman, mastering engineers (Prince & The New Power Generation)
Paul Robeson – Voice of Freedom: His Complete Columbia, RCA, HMV, and Victor Recordings, Tom Laskey & Robert Russ, compilation producers; Nancy Conforti & Andreas K. Meyer, mastering engineers (Paul Robeson)
Pepito y Paquito – Pepe De Lucía & Javier Doria, compilation producers; Jesús Bola, mastering engineer (Pepe De Lucía And Paco De Lucía)
The Sound of Music (Original Soundtrack Recording – Super Deluxe Edition) Mike Matessino & Mark Piro, compilation producers; Steve Genewick & Mike Matessino, mastering engineers (Rodgers & Hammerstein & Julie Andrews)
Best Engineered Album, Non-Classical
Algorithm – Dernst Emile II, Michael B. Hunter, Stephan Johnson, Rachel Keen, John Kercy, Charles Moniz & Todd Robinson, engineers; Colin Leonard, mastering engineer (Lucky Daye)
Cyan Blue – Jack Emblem, Jack Rochon & Charlotte Day Wilson, engineers; Chris Gehringer, mastering engineer (Charlotte Day Wilson)
Deeper Well – Craig Alvin, Shawn Everett, Mai Leisz, Todd Lombardo, John Rooney, Konrad Snyder & Daniel Tashian, engineers; Greg Calbi, mastering engineer (Kacey Musgraves)
Empathogen – Beatriz Artola, Zach Brown, Oscar Cornejo, Chris Greatti & Mitch McCarthy, engineers; Joe La Porta, mastering engineer (WILLOW)
i/o – Tchad Blake, Oli Jacobs, Katie May & Dom Shaw, engineers; Matt Colton, mastering engineer (Peter Gabriel)
Short n’ Sweet – Bryce Bordone, Julian Bunetta, Serban Ghenea, Jeff Gunnell, Oli Jacobs, Ian Kirkpatrick, Jack Manning, Manny Marroquin, John Ryan & Laura Sisk, engineers; Nathan Dantzler & Ruairi O’Flaherty, mastering engineers (Sabrina Carpenter)
Best Engineered Album, Classical
Adams: Girls of the Golden West – Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (John Adams, Daniela Mack, Ryan McKinny, Paul Appleby, Hye Jung Lee, Elliot Madore, Julia Bullock, Davóne Tines, Los Angeles Philharmonic & Los Angeles Master Chorale)
Andres: The Blind Banister – Silas Brown, Doron Schachter & Michael Schwartz, engineers; Matt Colton, mastering engineer (Andrew Cyr, Inbal Segev & Metropolis Ensemble)
Bruckner: Symphony No. 7; Bates: Resurrexit – Mark Donahue & John Newton, engineers; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Clear Voices in the Dark – Daniel Shores, engineer; Daniel Shores, mastering engineer (Matthew Guard & Skylark Vocal Ensemble)
Ortiz: Revolución Diamantina – Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel, María Dueñas, Los Angeles Philharmonic & Los Angeles Master Chorale)
Producer of the Year, Classical
Erica Brenner
Christoph Franke
Morten Lindberg
Dmitriy Lipay
Elaine Martone
Dirk Sobotka
Bet Immersive Audio Album
Avalon – Bob Clearmountain, immersive mix engineer; Rhett Davies & Bryan Ferry, immersive producers (Roxy Music)
Genius Loves Company – Michael Romanowski, Eric Schilling & Herbert Waltl, immersive mix engineers; Michael Romanowski, immersive mastering engineer; John Burk, immersive producer (Ray Charles With Various Artists)
Henning Sommerro: Borders – Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Trondheim Symphony Orchestra)
i/o (In-Side Mix) – Hans-Martin Buff, immersive mix engineer; Brian Eno, Peter Gabriel & Richard Russell, immersive producers (Peter Gabriel)
Pax – Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Ensemble 96 & Current Saxophone Quartet)
Best Instrumental Composition
“At Last,” Shelton G. Berg, composer (Shelly Berg)
“Communion,” Christopher Zuar, composer (Christopher Zuar Orchestra)
“I Swear, I Really Wanted to Make a “Rap” Album But This Is Literally The Way The Wind Blew Me This Time,” André 3000, Surya Botofasina, Nate Mercereau & Carlos Niño, composers (André 3000)
“Remembrance,” Chick Corea, composer (Chick Corea & Béla Fleck)
“Strands,” Pascal Le Boeuf, composer (Akropolis Reed Quintet, Pascal Le Boeuf & Christian Euman)
Best Arrangement, Instrumental or A Cappella
“Baby Elephant Walk – Encore,” Michael League, arranger (Snarky Puppy)
“Bridge Over Troubled Water,” Jacob Collier, Tori Kelly & John Legend, arrangers (Jacob Collier Featuring John Legend & Tori Kelly)
“Rhapsody in Blue(Grass),” Béla Fleck & Ferde Grofé, arrangers (Béla Fleck Featuring Michael Cleveland, Sierra Hull, Justin Moses, Mark Schatz & Bryan Sutton)
“Rose Without the Thorns,” Erin Bentlage, Alexander Lloyd Blake, Scott Hoying, A.J. Sealy & Amanda Taylor, arrangers (Scott Hoying Featuring säje & Tonality)
“Silent Night,” Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (säje)
Best Arrangement, Instruments and Vocals
“Alma,” Erin Bentlage, Sara Gazarek, Johanye Kendrick & Amanda Taylor, arrangers (säje Featuring Regina Carter)
“Always Come Back,” Matt Jones, arranger (John Legend)
“b i g f e e l i n g s,” Willow, arranger (WILLOW)
“Last Surprise (From Persona 5),” Charlie Rosen & Jake Silverman, arrangers (The 8-Bit Big Band Featuring Jonah Nilsson & Button Masher)
“The Sound of Silence,” Cody Fry, arranger (Cody Fry feat. Sleeping at Last)
Best Orchestral Performance
“Adams: City Noir, Fearful Symmetries & Lola Montez Does the Spider Dance” Marin Alsop, conductor (ORF Vienna Radio Symphony Orchestra)
“Kodály: Háry János Suite; Summer Evening & Symphony In C Major” JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)
“Ortiz: Revolución Diamantina” Gustavo Dudamel, conductor (Los Angeles Philharmonic)
“Sibelius: Karelia Suite, Rakastava, & Lemminkäinen” Susanna Mälkki, conductor (Helsinki Philharmonic Orchestra)
“Stravinsky: The Firebird” Esa-Pekka Salonen, conductor (San Francisco Symphony)
Best Opera Recording
“Adams: Girls of the Golden West” John Adams, conductor; Paul Appleby, Julia Bullock, Hye Jung Lee, Daniela Mack, Elliot Madore, Ryan McKinny & Davóne Tines; Dmitriy Lipay, producer (Los Angeles Philharmonic; Los Angeles Master Chorale)
“Catán: Florencia En El Amazonas” Yannick Nézet-Séguin, conductor; Mario Chang, Michael Chioldi, Greer Grimsley, Nancy Fabiola Herrera, Mattia Olivieri, Ailyn Pérez & Gabriella Reyes; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
“Moravec: The Shining” Gerard Schwarz, conductor; Tristan Hallett, Kelly Kaduce & Edward Parks; Blanton Alspaugh, producer (Kansas City Symphony; Lyric Opera Of Kansas City Chorus)
“Puts: The Hours” Yannick Nézet-Séguin, conductor; Joyce DiDonato, Renée Fleming & Kelli O’Hara; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)
“Saariaho: Adriana Mater” Esa-Pekka Salonen, conductor; Fleur Barron, Axelle Fanyo, Nicholas Phan & Christopher Purves; Jason O’Connell, producer (San Francisco Symphony; San Francisco Symphony Chorus; Timo Kurkikangas)
Best Choral Performance
“Clear Voices in the Dark” Matthew Guard, conductor (Carrie Cheron, Nathan Hodgson, Helen Karloski & Clare McNamara; Skylark Vocal Ensemble)
“A Dream So Bright – Choral Music of Jake Runestad” Eric Holtan, conductor (Jeffrey Biegel; True Concord Orchestra; True Concord Voices)
“Handel: Israel In Egypt” Jeannette Sorrell, conductor (Margaret Carpenter Haigh, Daniel Moody, Molly Netter, Jacob Perry & Edward Vogel; Apollo’s Fire; Apollo’s Singers)
“Ochre” Donald Nally, conductor (The Crossing)
“Sheehan: Akathist” Elaine Kelly, conductor; Melissa Attebury, Stephen Sands & Benedict Sheehan, chorus masters (Elizabeth Bates, Paul D’Arcy, Tynan Davis, Aine Hakamatsuka, Steven Hrycelak, Helen Karloski, Enrico Lagasca, Edmund Milly, Fotina Naumenko, Neil Netherly, Timothy Parsons, Stephen Sands, Miriam Sheehan & Pamela Terry; Novus NY; Artefact Ensemble, The Choir of Trinity Wall Street, Downtown Voices & Trinity Youth Chorus)
Best Chamber Music/Small Ensemble Performance
“Adams, J.L.: Waves & Particles,” JACK Quartet
“Beethoven for Three: Symphony No. 4 And Op. 97, ‘Archduke,’” Yo-Yo Ma, Leonidas Kavakos & Emanuel Ax
“Cerrone: Beaufort Scales,” Beth Willer, Christopher Cerrone & Lorelei Ensemble
“Home,” Miró Quartet
“Rectangles and Circumstance,” Caroline Shaw & Sō Percussion
Best Classical Instrumental Solo
“Akiho: Longing,” Andy Akiho
“Bach: Goldberg Variations,” Víkingur Ólafsson
“Eastman: The Holy Presence of Joan D’Arc,” Seth Parker Woods; Christopher Rountree, conductor (Wild Up)
“Entourer,” Mak Grgić (Ensemble Dissonance)
“Perry: Concerto for Violin & Orchestra,” Curtis Stewart; James Blachly, conductor (Experiential Orchestra)
Beyond the Years – Unpublished Songs of Florence Price, Karen Slack, soloist; Michelle Cann, pianist
Best Classical Solo Vocal Album
A Change Is Gonna Come, Nicholas Phan, soloist; Palaver Strings, ensembles
Newman: Bespoke Songs, Fotina Naumenko, soloist; Marika Bournaki, pianist (Nadège Foofat; Julietta Curenton, Colin Davin, Mark Edwards, Nadia Pessoa, Timothy Roberts, Ryan Romine, Akemi Takayama, Karlyn Viña & Garrick Zoeter)
Show Me the Way, Will Liverman, soloist; Jonathan King, pianist
Wagner: Wesendonck Lieder, Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (Il Pomo d’Oro)
Best Classical Compendium
Akiho: BeLonging – Andy Akiho & Imani Winds; Andy Akiho, Sean Dixon & Mark Dover, producers
American Counterpoints – Curtis Stewart; James Blachly, conductor; Blanton Alspaugh, producer
Foss: Symphony No. 1; Renaissance Concerto; Three American Pieces; Ode – JoAnn Falletta, conductor; Bernd Gottinger, producer
Mythologies II – Sangeeta Kaur, Omar Najmi, Hilá Plitmann, Robert Thies & Danaë Xanthe Vlasse; Michael Shapiro, conductor; Jeff Atmajian, Emilio D. Miler, Hai Nguyen, Robert Thies, Danaë Xanthe Vlasse & Kitt Wakeley, producers
Ortiz: Revolución Diamantina – Gustavo Dudamel, conductor; Dmitriy Lipay, producer
Best Contemporary Classical Composition
“Casarrubios: Seven for Solo Cello” Andrea Casarrubios, composer (Andrea Casarrubios)
“Coleman: Revelry” Valerie Coleman, composer (Decoda)
“Lang: Composition as Explanation” David Lang, composer (Eighth Blackbird)
“Ortiz: Revolución Diamantina” Gabriela Ortiz, composer (Gustavo Dudamel, Los Angeles Philharmonic & Los Angeles Master Chorale)
“Saariaho: Adriana Mater” Kaija Saariaho, composer (Esa-Pekka Salonen, Fleur Barron, Nicholas Phan, Christopher Purves, Axelle Fanyo, San Francisco Symphony Chorus & Orchestra)
The Recording Academy CEO, Harvey Mason Jr., recently found himself in the hot seat trying to explain why Sabrina Carpenter – yes, the same Sabrina with half a dozen albums – just scored a Grammy nomination for Best New Artist.
In an interview that left The Hollywood Reporter and most fans scratching their heads, Harvey made it clear: this wasn’t a decision that anyone arrived at easily. Or quickly. Or, quite possibly, at all.
“Look,” Harvey said, “deciding who qualifies as a ‘new’ artist is, well… not easy. I was about to say it’s simple, but then I realized… oh no, no, it’s actually the opposite of simple. In fact, it’s the final boss level of Grammy award categories.”
Now, in Grammy-speak, “Best New Artist” apparently isn’t as much about being “new” as it is about an artist finally reaching “national or international prominence.” Sabrina may be six albums deep, but in Grammy Land, it’s all about timing – which sometimes runs, let’s say, fashionably late.
So how exactly did they decide who was “new”? Harvey provided some insight:
“It’s not like we throw darts at a board or spin a wheel—okay, maybe we tried that once, but it got weird. Really, it’s about when an artist feels new. It’s an art, not a science. Well, maybe a mystic science.”
Apparently, Sabrina’s sixth album, Short N’ Sweet, has triggered the mystical Grammy vibes required to unlock her “new artist” status. A bit like playing a video game where you’ve already maxed out levels, but suddenly there’s a secret bonus round!
Harvey wrapped up his thoughts with a comment that sounds like it was custom-built for legal ambiguity:
“To me, this feels like a time when our best new artists have broken through and become nationally prominent and are doing amazing work.”
In other words, the Grammy judges took one look at Sabrina’s massive success and thought, “Wait, who’s she?” And now Sabrina’s officially got her golden ticket into the Grammy New Artist Club… seven years, six albums, and countless coffee orders later.
Beyoncé has just yeehawed her way straight into Grammys history yet again! This Friday (November 8), the Recording Academy dropped the bombshell nominations for the 2025 Grammys, and our girl Bey lassoed herself a whopping 11 nods for her latest album, Cowboy Carter. If you’re counting—and she sure is—that makes her the most-nominated artist of all time. As in, ever. She’s basically competing against herself at this point!
Now, let’s break this down: before this historic moment, Beyoncé and Jay-Z were locked in a Grammys arms race, each standing tall with a record-breaking 88 nominations. I mean, can you imagine that household conversation? “Oh, hey, Jay, I’ll just be over here, breaking my own record. Enjoy the kids!” But now, with these fresh 11 nods, Beyoncé has claimed the Grammys throne with 99 nominations. Ninety-nine! She’s basically the Grammys Queen Bee and Jay’s now a noble Grammy Duke… in case he didn’t know who runs the castle by now.
And oh, the categories she’s landed in are chef’s kiss eclectic. Beyoncé’s Cowboy Carter is up for Album of the Year and Country Album of the Year. Yes, you read that right: Country Album of the Year! Our Texas diva took the cowboy theme seriously with her hit single “Texas Hold ’Em,” which roped in nominations for Record of the Year, Song of the Year, and—you guessed it—Country Song of the Year. But wait, there’s more! She’s got her boots in pop, Americana, and even melodic rap. She’s out here collecting genre nominations like they’re Pokémon cards.
Let’s not forget, this isn’t Beyoncé’s first rodeo (pun intended). Back in 2023, she reigned supreme as the most decorated artist in Grammy history with a jaw-dropping 32 wins. It’s basically tradition at this point for her to walk in, break a record, and leave with a new handful of golden gramophones for her shelf.
The 2025 Grammys will be held at the Crypto.com Arena in L.A. on February 2, so mark your calendars because it’s going to be a showdown of epic proportions. Will Beyoncé hit the big 100 nominations milestone, cementing her place as the true Sheriff of the Grammys? Only time will tell, but one thing’s for sure: the Queen Bey’s got her cowboy boots on, and she’s riding this one all the way to history.
DDG just slid onto the internet to toss a few supportive words to his ex Halle Bailey after she publicly dragged him online this week. And let’s just say, he didn’t come to play—he came to slay…with kindness? Who would’ve thought? Here’s what went down, and why DDG’s now earning points in the Cool Ex Olympics.
If you missed the latest episode of “Keeping Up with the DDGs,” let me break it down: Halle Bailey, a.k.a. The Little Mermaid herself, called DDG out after he went rogue and featured their son Halo on a livestream, allegedly without asking her first. She was like, “Um, excuse me, no one asked for this cameo.” The next day, though, Halle seemed to dial it back, issuing an “Oops, my bad” follow-up where she hinted she might’ve gone a little “extra” in her reaction. Don’t worry, Halle; we’ve all been there.
Then Thursday rolled around, and DDG popped up on YouTube with a video response that basically screamed, “Stay in your lanes, internet.” Spoiler alert: He’s riding hard for Halle, saying he doesn’t want anyone talking smack about her. “Look, I don’t care if people think she’s right, wrong, or hanging out somewhere in the neutral zone,” he said. “I just don’t want to hear the hate.”
But he didn’t stop there. DDG was all, “Look, Halle just had a kid—our kid—and I can’t fully get what she’s going through. So when things like this happen, I’m out here doing my best to keep it classy for Halo’s sake.” Because apparently, DDG’s got that Zen dad energy now? The rapper continued his speech, practically oozing wholesome vibes as he explained, “Halo’s my lil’ buddy. I’m over here doing dad duty, and Halle made that possible, so you know what? Respect is in order.”
In fact, DDG took it one step further, saying he’s got “unconditional love and respect” for Halle, and nobody’s changing his mind on that. Whew, that’s big energy from a guy who could have easily dropped some spicy clapback. Instead, he was all, “Nah, I’m taking the high road.”
He also had a message for the public, telling everyone to keep the co-parenting criticism to themselves. “Look, y’all can keep roasting me if you need to, but Halle? That’s off-limits. She’ll always be family.” And yes, that sound you just heard was the collective “aww” of the internet.
The two ended their relationship back in October 2024 after dating for a few years, but it seems like the family vibes are here to stay.
Bhad Bhabie just dropped a bombshell health update that’s got fans whispering, “Wait, what?” Yes, it seems the 21-year-old rapper and meme queen of “Gucci Flip Flops” fame, a.k.a. Danielle Bregoli, may have revealed she’s dealing with something pretty serious. And leave it to her to announce it like she’s casually commenting on the weather.
So here’s what went down: on Thursday (November 7), Bhad Bhabie hopped onto Instagram Story like it was just another Thursday (which, to be fair, it was) and hit her fans with a pretty jaw-dropping line. “I’m sorry my cancer medicine made me loose [sic] weight,” she wrote. Yes, loose weight. Not exactly the typo you want to see with a sentence like that, but hey, she’s a rapper, not a spelling bee champ. She continued, “I’m slowly gaining back. So, stop running [with] the worst narratives 💕.” Cue the fan freak-out.
Fans have been blowing up her comment sections lately, wondering if their girl was okay, and with Bhad Bhabie looking slimmer, some even threw out the dreaded “too thin” comment. You know it’s serious when people start dishing out unsolicited health critiques faster than you can say “cash me outside.”
One particularly bold fan hit her up on a post from October 23, practically grabbing their megaphone and shouting, “I feel so bad you were looking so good now you seem really off and I’m worried.” Gotta love that mix of genuine concern and brutally honest commentary, right?
And in case you missed the Bhad Bhabie update of the year, she’s got a new title—Mom! Back in March, she welcomed her baby girl, Kali Love, with her partner Le Vaughn, who’s probably still trying to process that he’s in this wild circus now, too.
Bhad Bhabie Reveals Cancer Diagnosis, 8 Months After Welcoming Her First Daughter
Joe Germanotta, father to pop icon and future intergalactic ambassador Lady Gaga, is spilling the tea on how his political endorsements turned family dinners into the ultimate showdown.
To rewind: Back in September, Joe decided to shake things up by endorsing President Donald Trump and calling him a “patriot” with the enthusiasm you’d expect from someone really invested in flag lapel pins. For those keeping score, Trump, now 78, hasn’t exactly been a Little Monster fan, once calling Gaga a “phony” (ouch, Mr. President) after she publicly threw her platform boots behind Joe Biden in 2020.
Gaga, of course, doubled down by performing at a rally for VP Kamala Harris right before the election, reminding everyone that she’s always been ready to bring the razzle-dazzle to politics—preferably with a wind machine.
So, how’s it going at family brunch these days? Joe, 67, admits things are… well, a little chilly. On Cavuto: Coast to Coast, he shared, “Ever since I came out as a Republican on FOX & Friends, home’s been a bit like a reality show where someone’s about to throw a glass of Pinot at any moment.” But he assures the world that eventually, they’ll “get past it.” Just like that time he grounded her for wearing 7-inch heels to a school dance. Same vibe.
In a plot twist that even Gaga might envy, Joe describes himself as an “open-minded Republican.” He’s practically a unicorn—endorsing conservative policies and championing liberal social causes. Case in point: His restaurant, Joanne Trattoria, is a welcoming stage for drag queens who perform weekly, bringing enough glam to shake up any spaghetti marinara night. Joe beams with pride about this, telling us, “Drag is artistry—just like marinara is an art, but with more sequins and sass.”
According to Joe, his NYC eatery is the Switzerland of family values and fabulousness. “Look, just because I rock a Republican hat doesn’t mean I don’t also rock with the LGBTQ+ community,” he explained, adding that politics aside, the Trattoria is all about community, celebration, and showing up with a side of garlic bread and glitter.
Lady Gaga’s Dad Joe Germanotta Says Their Relationship Is Now Strained After He Endorsed Donald Trump
Disney just dropped a wild trailer for Mufasa: The Lion King, the highly-anticipated prequel that’s about to give The Lion King fans all the feels… and maybe a little backstory on why Mufasa’s mane always looked like he had a permanent blowout.
On Friday (November 8), Barry Jenkins—the Oscar-winning director and now, apparently, Pride Rock historian—unleashed the new trailer at D23 Brazil. You could say it was the mane event of the evening.
Now, let’s talk plot! The story starts with our old pal Rafiki doing what he does best: dropping pearls of wisdom while waving around that mysterious stick of his. This time, he’s telling the legend of Mufasa to none other than Kiara, Simba and Nala’s young cub. (That’s right, Simba’s got a kid who’s already learning the family drama.) But he’s not alone—Timon and Pumbaa are back, and they’re ready to sprinkle in some humor, probably because they’ve been through enough trauma in the first Lion King to last a lifetime.
And here’s where it gets juicy: baby Mufasa was actually an orphaned cub, roaming the savannah like a tiny, tufted rebel without a cause. He eventually stumbles across Taka, a lion with serious royal connections. Together, they form a motley crew of fur, teeth, and claws as they embark on a grand adventure. Spoiler alert: not everything’s hakuna matata in this friendship—these lions have to survive deadly threats, dodge danger, and figure out that whole “circle of life” thing along the way.
If your claws aren’t already tapping in excitement, remember this: Mufasa: The Lion King roars into theaters on December 20. Just in time to make you feel things about lions all over again.
Looks like Zendaya and Tom Holland are swinging into a whole new project together—this time, without a single web in sight! Yes, the world’s most adorable Hollywood couple is leveling up from the Marvel Cinematic Universe to something a little more… mysterious. Like, Christopher Nolan-level mysterious. (Translation: we’ll be deciphering the plot twists till 2028.)
Zendaya, aka the fashion queen of red carpets and reigning heart-throbber of the cinema, is hopping on board Tom’s newest movie, and this time, they’re roping in not just any ol’ Oscar-winner but the actual Anne Hathaway—a lady who’s played everything from Catwoman to Mia Thermopolis. Oh, and Matt Damon’s along for the ride too, because no A-list crew is complete without the guy who’s either lost in space or playing “Loyal Dude #1.”
The plot details? Classified. The movie title? Also classified. This is Christopher Nolan we’re talking about here—he probably keeps his coffee order a secret. The premiere date? July 16, 2026, so mark your calendars and clear your schedules for some mind-bending cinema. Production’s kicking off early 2025, meaning they have about a year to, well, figure out what the plot even is.
All we know for now is this power cast and the sheer thrill of watching Tom and Zendaya try to out-charm each other on screen. Buckle up, because this mysterious movie is shaping up to be the romantic thriller-mystery-comedy-drama of the century… or at least, until the next one Nolan dreams up.
Stay tuned, because we’ll keep you posted faster than Tom can say “I’m dating my co-star!”
Zendaya Joins Anne Hathaway And Tom Holland In New Movie By Christopher Nolan
Alright, Navy, it’s time to face the facts: Rihanna’s next album might just be a figment of our collective imagination. The 36-year-old “Diamonds” singer, makeup mogul, and all-around powerhouse hasn’t dropped a new album in almost a decade. Yep, we’re talking ten years of waiting, hoping, and squinting into the horizon, only to be met with her launching yet another fabulous lipstick instead.
Rihanna recently dropped by a Fenty Beauty event, probably expecting to charm us with her new products. But instead, she dropped something even bigger: a celestial excuse for her musical hiatus. “Music was the thing that got the attention,” she told the crowd, probably throwing a wink and a peace sign for good measure. “But God had other plans for me.” (Translation: the Almighty whispered, “Rihanna, honey, you’re about to change the game… in the makeup aisle.”)
She went on to say that she now gets to create “in ways that are organic, authentic, and totally my vibe.” You know, because absolutely nothing says “authentic” like making millions with eyeliner.
And as if that wasn’t enough to ruffle Navy feathers, she added, “So it doesn’t even feel like a job.” That’s right—while we’re out here refreshing Spotify and clinging to ANTI like it’s a rare artifact, she’s living her best life in the Fenty glow, music-free.
Cue fan reactions on X (formerly Twitter), which were as dramatic as you’d expect.
One brave soul just tweeted, “She is gone,” complete with a heartbreak emoji, no doubt. Another fan came to the grim realization: “She tryna tell y’all she’s not releasing any music, baby.” And another, after likely finishing their third box of tissues, concluded, “We need to accept that she’s a businesswoman who was a singer.” That one hurt, didn’t it?
Still, some fans took the high road, reminding us that Rihanna’s true magic goes beyond music. One tweet read, “Her music will live on forever but her impact reaches far beyond the stage.” Another said they were “proud of her.” Clearly, these people have the patience of saints.
Before you throw your headphones in despair, know this: Rihanna did mention this summer that she might, possibly, eventually start working on music again. So there’s a teeny tiny glimmer of hope for 2027, or maybe 2032 if we’re being optimistic.
In the meantime, Navy, let’s appreciate her contributions to the world of makeup, lingerie, and entrepreneurial zen. And remember, she may not be the pop diva we’re begging for right now, but she’s the billionaire CEO we’ll just have to deal with.
rihanna last night:
“music was the thing that got the attention, but god had other plans for me” she is gone 😭 pic.twitter.com/3fop9I25jz
Princess Catherine—yes, the Kate Middleton—is making her royal comeback to the spotlight! After a year of being mostly off the radar due to her cancer diagnosis back in March, the Princess of Wales is now ready to strut her stuff in front of the flashbulbs again.
The 42-year-old royal mom of three recently finished her chemotherapy, and let’s just say, she’s looking poised to make her return with all the regal glam and grace we expect… with maybe just a dash of “Let’s-get-back-to-it” sparkle.
So, what’s on her grand comeback agenda? First up, Catherine’s expected at the Festival of Remembrance this Saturday (November 9), where she’ll step out with the whole Windsor crew in London. Word on the street—aka reports from People—is that she’ll also be attending a Sunday event at The Cenotaph, doing what royals do best: standing respectfully and looking as polished as a porcelain teacup, all for a good cause.
This return comes on the heels of a sneaky public appearance in October with Prince William, the royal in charge of enduring dad jokes for life. William even gave us a little update on how his princess is holding up. Apparently, Catherine has been “amazing this whole year”—and if “amazing” means handling cancer treatment and still managing to look like she just stepped out of a royal fairytale, we’re inclined to agree.
So here’s to Princess Catherine’s grand return! We’ll be waiting to see if she also pulls out her famous wave and maybe even graces us with one of her legendary power coats.
Kate Middleton Planning Return To The Spotlight After Completing Cancer Treatment
Chappell Roan’s whirlwind rise to stardom has her doing backflips (mentally) and completely rethinking her sanity game! At the ripe age of 26, this “HOT TO GO” sensation has gone from singing to her houseplants to blowing up the internet (in a good way) in 2024. And naturally, all that fame has been a total wrecking ball for her mental health routine.
Sitting down at the Grammy Museum on November 7, Chappell spilled the tea on how wild this year has been and why she had to invent an alter ego that can handle all the glitz and craziness without spontaneously combusting.
Quick Fun Fact: if you thought “Chappell Roan” sounded like a character straight out of a fantasy novel, you’re not wrong! Chappell is a stage name—a secret superhero identity if you will—and her real name is Kayleigh. But she’s not a spy or anything (probably).
“Chappell is like this…whole different character,” she explained with a sigh to The Hollywood Reporter, probably while adjusting her metaphorical cape. “I just can’t keep being ‘Chappell’ all the time. It’s, like, exhausting.” You know, just the usual struggle of not being able to perform as your onstage alter ego at Starbucks.
Now, let’s talk mental health. This year’s success hasn’t just rocked her world—it’s basically thrown her routine out the window and stomped on it. “My life is totally different now. It’s a circus in here,” she confessed, making vague gestures that we can only assume involved her head. “This kind of year just…does things to people.”
She elaborated, saying, “Imagine if every huge thing in someone’s career happened, like, all at once. And then multiply it by 10. That’s my life in five months!” She wasn’t clear on whether she’s developed superhuman powers or if she’s just acquired a bunch of new responsibilities, but one thing’s certain—she’s running on pure adrenaline.
So, what’s her current mental health routine? Well, she has no idea. She’s on a rollercoaster with no brake pedal, just holding on and hoping she figures it out before her alter ego Chappell decides to take a long vacation and leave Kayleigh to fend off the paparazzi alone. Stay tuned for the next episode of “Chappell Roan’s Wild Year,” where she might invent a third alter ego just to get through Monday mornings.
Get ready to grab some tissues, Dua Lipa fans—our beloved “Training Season” pop superstar just delivered some news that hit harder than a breakup text.
The 29-year-old dynamo was all set to light up the stage in Jakarta, Indonesia, for her Radical Optimism Tour on Saturday (November 9). But, in a plot twist none of us saw coming, Dua took to social media on Friday to announce that the concert was… canceled. Yup. The worst kind of plot twist. She even gave us the full tea in a heartfelt statement, and let’s just say, it’s got enough feels to rival a soap opera finale.
Dua’s Emotional Post:
“I am heartbroken to share that I won’t be able to perform in Jakarta this Saturday, November 9,” she wrote, leaving fans everywhere to let out a collective gasp. Honestly, we all felt that one.
But, like the queen of classy apologies she is, Dua made sure to explain the situation. She said she was actually in Jakarta, all pumped and ready to bring down the house with her killer tunes and dance moves. However, it turns out the stage was having a bit of an oopsie moment in the safety department. And let’s face it, no one wants to see a pop star take a nosedive off a faulty stage. So for everyone’s well-being, the show had to be put on pause.
“I was so looking forward to this night, and it truly pains me that we cannot perform for you all, especially after such a long time since my last performance in Jakarta,” she added, making it clear she’s as crushed as we are.
But wait—there’s a silver lining! Refunds will be sent out from your original point of purchase, so while you can’t get your Dua live experience fix this weekend, at least you’re not out of pocket. And just to wrap it all up with a loving promise, she wrote, “I love you all and truly can’t wait to be back together in the same room with you singing and dancing our hearts out as soon as possible.”
Translation: hang in there, because this diva is coming back, and she’s bringing the full Dua magic with her!
Martha Stewart, our domestic diva turned “don’t mess with me” icon, just let slip in her Netflix doc that she’s been carrying a 20-year grudge against one particular New York Post columnist. And Martha, being Martha, didn’t hold back.
The drama bomb dropped when the 83-year-old business magnate recalled her early-2000s trial for insider trading. But this isn’t just “remember that time I got busted?” – no, it’s Martha with vengeance. She called out Andrea Peyser, a Post columnist who apparently wrote “horrible things” about her throughout the trial. Martha’s reaction? “But she is dead now, thank goodness,” Martha said in the doc, before casually adding, “Nobody has to put up with the crap she was writing all the time.”
Except…that whole “she’s dead” part? Yeah, just a tiny mix-up. Andrea Peyser is not only alive but very much living her best “undead” life. In a rebuttal so juicy you’d need a bib to read it, Andrea clapped back in a new Post column, kicking things off with: “I’m alive, b-tch!” Now that’s how you let someone know you’re still breathing.
Not stopping there, Andrea came in swinging like a heavyweight champ. “News of my passing came as a shock. Should I be scared about continuing to write that ‘crap’?” she wrote, with the type of zest you can only find in a columnist who’s spent years dodging metaphorical daggers from domestic goddesses. She also took a moment to remind Martha of some less-than-cozy memories, like that time Martha and her broker buddy got convicted of securities fraud, lied about it, and had to face federal investigators. Ah, nostalgia.
But that’s not all! Andrea gets a little sentimental, musing, “I get the sense that Martha is lonely.” She even threw in a backhanded compliment: “She’s rich. She’s beautiful, creative, and temperamental. I pity her.” Pity! Nothing stings like pity, especially when it’s delivered with a side of, “Oh, and I’m still here, by the way.”
In an interview with Vulture, Andrea doubled down when asked how she feels about living rent-free in Martha’s mind. “It’s kind of amazing,” she said, practically sipping her tea through the phone. “I guess I feel sorry for her in a way… I don’t know. Maybe because I was about the only one who went against her.” Then, ever the wordsmith, she finished with, “I can’t psychoanalyze her.” Translation: Not my circus, not my rich, pink-slipped, horse-breeding monkeys.
So, if you want to dive into all the shade Andrea’s throwing, click HERE for the full column. Meanwhile, someone might want to pass Martha the memo: The New York Post lady is alive, and she’s got plenty more columns left in her.
Columnist Whom Martha Stewart Said Was Dead Writes New Piece Slamming The Homemaker
The Kid LAROI just shared some juicy deets about his big bro bond with none other than Justin Bieber! You might know Kid LAROI as the 21-year-old Aussie artist who gave us the bop of the summer with “Stay,” alongside the Biebs, back in 2021. But their friendship goes way beyond a killer track – we’re talking about a full-on bromance complete with daily check-ins and some heavy-duty life advice.
So, You Wanna Be a Role Model? Maybe… Kinda… No, Not Really?
When asked about being a “role model,” Kid LAROI threw that title right out the window faster than a pair of ripped jeans at a Bieber concert. “If being a role model means people expecting you to have your life together 24/7, count me out!” he declared on The KIIS Network’s Will & Woody. It’s like he’s saying, “Look, if you’re looking for perfection, check aisle seven in the grocery store – that’s where they keep the filtered water and the unrealistic expectations.”
Basically, Kid LAROI wants to be the role model who’s… not perfect. He’s all about showing us how to embrace our flaws. “I’m just a guy. I’m just a human,” he said, like a humble philosopher who also drops beats. In his words, he’s going to try his best, but don’t expect every move to be flawless. We’re human; we make mistakes… sometimes daily… sometimes hourly.
Bieber: More Than Just a Big Bro – He’s the Big Bro Supreme
Okay, now here’s where it gets chef’s kiss wholesome. According to Kid LAROI, Justin isn’t just a friend; he’s the ultimate “Big Bro Who’s Been There, Done That, Bought the T-Shirt.” Justin’s like his unofficial life coach, giving him all the advice and wisdom that only someone who’s been to the top and back (and survived some wild haircuts along the way) can share.
“He’s been through it all times ten,” LAROI admitted. “I go through stuff, but it’s like, his stuff is the crazy, blockbuster version.” So yeah, when LAROI is having a tough time, he just rings up his guru, JB. Bieber’s been through everything – fame, love, controversy, and accidentally eating a burrito sideways (Google it). If anyone knows what’s what, it’s Justin.
It All Started with a DM, Naturally
How did they even meet, you ask? In true 21st-century friendship fashion, Justin slid into Kid LAROI’s DMs. Not with a cheesy pick-up line, though, just a casual “love your music” and an invitation to check out a song on his album Justice. Next thing you know, LAROI’s at Justin’s place, shooting hoops and vibing like they’ve been besties for years.
Now they’re basically inseparable – Kid LAROI’s even got Justin checking in on him daily. Every day, like clockwork, he’s getting those classic “Hey, you good, bro?” texts. It’s like Bieber’s his fairy god-brother, sprinkling magical positivity vibes and good advice everywhere he goes.
The Bromance is Contagious
And it doesn’t stop with just the two of them. Justin’s positivity is apparently as contagious as a catchy tune, with LAROI saying it’s inspired him to check in on his own friends and family. So, if you’ve been wondering why your group chat is suddenly getting random “just checking on you, fam” messages, you might have the Kid LAROI–Bieber bromance to thank.
Plus, this dynamic duo is also party pals! Back in October, Kid LAROI and his girlfriend, Tate McRae, joined Justin and Hailey Bieber at her Rhode party, because what’s a celeb friendship without at least one glam event to show it off?
The friendship between The Kid LAROI and Justin Bieber is more than just music. It’s about two guys – one a wise pop sage, the other a young rising star – figuring out life and making it okay for the rest of us to be human. Or as Bieber might put it, staying real.
Halle Bailey is having a moment of self-reflection after going full-speed ahead with an online callout to her ex-boyfriend, DDG.
On Wednesday night (November 6), the 24-year-old singer and actress took to the interwebs to express some major side-eye at the 27-year-old rapper. Why? Oh, just the small matter of him livestreaming their son Halo without asking her first. You know, basic co-parenting stuff.
Fast-forward to the next day, and Halle, with the grace of a queen who’s had 12 hours of thinking time, took to social media to dial it back a notch. She posted a new message on X (formerly known as Twitter, because we’re still pretending that rebranding works). She wrote, “Yesterday maybe i did overreact and shouldn’t have brought it here.” (Translation: “Okay, okay, I got a little spicy. But, you know, it happens.”)
Halle went on to clarify, “i know that halo is always safe with his dad. i just don’t like finding out with the rest of the world what my baby is doing.” (Read: “I’m not mad that Halo’s alive and well, but I didn’t sign up to be on the Halo Reality Show.”)
For those who’ve been sleeping under a rock (or just don’t follow the latest celebrity breakups), Halle and DDG were an item for over two years before parting ways in October 2024. Oh, and their secret baby Halo? He made his stealthy debut earlier this year. We’re talking “under-the-radar” stealthy.
Oh, and as if their relationship didn’t provide enough drama for a Netflix documentary, DDG added fuel to the fire in July 2023 with his song “Famous,” where he admitted being a little insecure about his girlfriend’s career and, uh, fame. Because who wouldn’t be a little nervous about dating someone who’s hotter than your latest track?
yesterday maybe i did overreact and shouldn’t have brought it here. i know that halo is always safe with his dad. i just don’t like finding out with the rest of the world what my baby is doing. thank u kai for the gifts for halo 🩷✨
